Max Frisch’s The Arsonists is kind of plug and play. You can substitute just about any group in the arsonist category depending on your perspective.
English Theatre Leipzig puts on “a moral play without moral.”
It’s 1824 all over again at the heart of Leipzig.
From now on, if ever I come across a statue of Venus, I will look at it differently.
Who is dominating whom?
As you leave this thought-provoking play, there are many themes you can choose from to discuss over beer and wine at the bar.