exhibition

Catholic Church finally faces the facts on abuse

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An exhibition at the Frankfurter Dom revealed the scale of abuse within the Catholic Church, using life-size wooden figures and survivor testimonies to humanize the suffering. Visitors confronted the painful legacy of cover-ups, while support services and multilingual resources aimed to provide solace and encourage reflection.

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MdbK: Olga Costa – plasticity, texture, weight

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“Plasticity, texture, weight.” These are some of the words used by Dr. Stefan Weppelmann to describe the use of colour by Olga Costa. Dr. Weppelmann is the director of the Museum of Fine Arts (MdbK) in Leipzig. The work of Leipzig-born artist Olga Costa is currently being exhibited in Europe for the first time. From

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MdbK: The Nightmare Predictor

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With its new exhibition, Albtraumvorhersager, the Leipzig Museum of Fine Arts (Museum der bildenden Künste, MdbK) is bridging the divide between Leipzig’s cultured elite and its disillusioned teenagers. MdbK director, Dr. Stefan Weppelmann, spoke to the press about their first collaborative exhibition with the Leipzig youth art project, greater form. It opened on Saturday, 29

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MdbK: Rauch’s Portrait and Abstraction

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Photographer Ludwig Rauch’s exhibition, called “Portrait and Abstraction” is currently on show at the Museum der bildenden Künste, Leipzig. It opened on Tuesday, 13 October 2022, and runs until 8 January 2023. The show combines photographic portraits of mainly Leipzig-based artists and works in which the artist explores the limits of his medium. The exhibition

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Schreberish: a new appreciation for old gardens

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Cities are captivating. There is an abundance of activity within them, with a constant commotion and busyness. But this busyness is precisely why cities can be overwhelming and claustrophobic. I’ve lived in multiple cities, but Leipzig is exceptional among them because of its numerous parks and gardens. I was always of the false mindset that

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Viktor Witkowski – seeing beyond the physical

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In its earlier styles, art was generally meant to represent nature. But modern art, and abstract art, in particular, has often professed to embody its operations. Thus Jackson Pollock’s celebrated affirmation: “I am nature!” Today, technological developments range from digital imaging to actual cloning of organisms. Our sense of both reality and its representation is

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