No words. Well, hardly any. No words can describe how it felt to experience the Big Bang that created the universe. And in the Origins spectacular virtual time ride, there are hardly any words – just a few captions, in German. It’s immersive, exhilarating; almost literally mindblowing.
MoreI used to say I could not draw or paint to save my life. Except for a few digital symmetrical shapes on Windows Paint, or stick figures and squiggly lines vaguely resembling a river on a notebook. Yet on a recent Saturday night, I perched myself high up in the Post building stabbing at a
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Winding up this weekend at the Museum der bildenden Künste (MdbK) in Leipzig is the “Evelyn Richter: A Photographer’s Life” exhibit. From the 1970s, Richter gained widespread recognition as an outstanding humanist documentary photographer of East Germany. Featured in the exhibit, and her friends' multifarious career address the question of how women of their generation
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Sebastian Weber's "The Long Run" is a piece about cultural appropriation and identity, about white responsibility and racism. It is also a dance about transience and memory and a questioning of the body as a repository of encounters and stories.
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Raja-Léon Hamann starts his new article series on the novels of James Baldwin with the author's earliest work, "Go Tell
Do lizards dream of a higher purpose?" by Linda Marwan, on display in Reudnitz, considers the relationship between humans, nature and AI.
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Synthetic voices connect the present and the potential future as Harry Yeff (Reeps100) joins Mario Schröder in Leipzig Ballet's newest piece, "Fusion".
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