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Nachtgedanken: zum Werk Nils Frankes

in Arts/Philosophies by

Our first article series in German (on Leipzig artists), brought to us by Nils Müller! Teil 1: “Es sind Bilder von bestechender Klarheit, die völlig ohne Schnörkel und Brimborium auskommen und in denen man aus der Unberechenbarkeit von Nils Frankes Humor in den Kindergesichtern auch die Masken wachsen sieht, die sie als Schutzschilde zu tragen scheinen.”

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Love and MuKo’s Count of Monte Cristo

in Arts/My Leipzig by
Der Graf von Monte Christo, MuKo, 06.04.2018 // Edmond Dantès (Marc Clear) und Mercédès (Marysol Ximenez-Carrillo) © Kirsten Nijhof

“From the moment one walks into Leipzig’s Musikalische Komödie (MuKo), the mood is set with crashing waves and a thundering drum roll for The Count of Monte Cristo.” Catch it this Saturday or Sunday for the last time this season.

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Polynesia and the accidental tattoo model

in Arts/Travel by
"Under the Skin" - The people behind the archives at Grassi. Photo © Anne-Coralie Bonnaire

On her transition into adulthood, she lent a French Polynesian tattoo artist a piece of her skin for his art, and ended up part of the living archive at Leipzig’s Grassi Museum – connecting with her own history and others’ in ways she couldn’t have imagined.

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Highlights: Spinnerei Spring Gallery Tour

in Arts/What's on by
“Requiem for a Failed State,” HALLE 14 gallery, Spinnerei. Photo © Elizabeth Gerdeman

Time to explore the Leipzig art circuit! Some must-sees at the Spinnerei Spring Tour this weekend (and beyond).

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Virtual normality. Netzkünstlerinnen 2.0

in Arts by
virtual

Due to public demand, MdbK’s current exhibition of female digital natives has been extended for the time being. GO!

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LOFFT current status: critical

in Arts by
The LOFFT brings cutting edge performances that reflect our time. It would be very disruptive to the Leipzig art scene were they to be without a stage.

The LOFFT brings cutting edge performances that reflect our time. It would be very disruptive to the Leipzig art scene were they to be without a stage.

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