Our Kapuczino gives us a glowing review of Macbeth (2015) with some enriching historical context.
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Max pleads with Leipzig's Schauspiel to leave Shakespeare and other famous playwrights alone and instead market their modern plays, dramatically different from classical versions, in another way.
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"By the end of the book, which reads like an article, we learn a great deal but know so little about the men behind the prose."
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Will Carol and Therese find the courage to live out their passions - professionally and personally? Will they risk ostracism for their sexual preference in 1950s American society? Will there be a happy ending for them?
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To me, the movie Anomalisa is like an existential poem I can deeply identify with. It's also a tragic love poem of sorts, and a requiem for the middle- and upper-middle class in "Western" society. Catch it in Leipzig this Tuesday.
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These two screen gems are/were a delight to watch, even if one may be a bit more like rough coal to some.
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