“If you happen to open a piano-vocal score of Lulu, it looks like a vengeful composer threw up random spots of black onto the musical staff, tied some rhythms to it, and called it a day. And yet… it sounds like glorious music.”
In the first of a two-part piece, maeshelle west-davies and Christopher Lade go see Lulu. She speaks up first. Will they agree or agree to disagree?
Review: The children’s opera “The Secret of the Black Spider” is scary enough for the kids without boring the adults.
Opera singer Jeffery Krueger’s journey from the American heartland to the German stage.
In celebration of the 500th anniversary of Martin Luther’s reformation, Mario Schröder has choreographed Bach’s Johannes Passion and it’s breathtakingly beautiful.
La Cenerentola at Oper Leipzig: formidable flood of a music which reflects the larger-than-life personality of Rossini.