As Leipzig opened up after its Covid-induced cultural drought, Tanzlabor was working on a cure to lockdown isolation. On the weekend of 4 March, the city of Leipzig introduced its long-anticipated relaxing of restrictions. Admission to events stepped down to the 3G regulation. Requiring visitors to (only!) prove that they are vaccinated, recently recovered, or
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Leipzig has long been renowned for its musical influence. This is due, in no small part, to being the home of Bach as well as the place of his burial. Several statues, books, and plaques can be found around town notarizing his musical history and impact on Leipzig. But Leipzig boasts many other musical influences.
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A darkened stage breaks its stillness with the dissonant phrases of a quarter grand piano. Dim lights cast the figure of a woman lying on the floor of her living room. Her hectic energy hovers over the space. The phone rings. The protagonist finds herself on the receiving end of two wrong-number calls. This small,
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maeshelle west-davies debuts her latest performance piece, not alone 2.0, at Helmut on Friday, 11 March 2022. She is well-known in art and culture circles in Leipzig, where she has lived and worked as an artist, MC and event producer for many years. Raised in the US, maeshelle spent several years living in the UK
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Love hurts, and for some people, that’s the point. Trying to write a one-line introduction to this play has me stumped. “A skeletal outline of common events wrapped up in an uncommon friendship.” That is the closest I could get to describing ETL‘s production of Gruesome Playground Injuries, by Rajiv Joseph. It opened on 3
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How to bore an audience: provide one-dimensional characters. So many of us are pigeon-holed and stereotyped. In her multimedia performance, Voices of Women (Stimmen der Frauen), Michiko Saiki examines the multiplicity that is woman. We are not just baby-making machines. We are living, breathing creatures with unique stories to tell. Look into our eyes. Read
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