Sebastian Weber's "The Long Run" is a piece about cultural appropriation and identity, about white responsibility and racism. It is also a dance about transience and memory and a questioning of the body as a repository of encounters and stories.
MoreSynthetic voices connect the present and the potential future as Harry Yeff (Reeps100) joins Mario Schröder in Leipzig Ballet's newest piece, "Fusion".
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Do lizards dream of a higher purpose?" by Linda Marwan, on display in Reudnitz, considers the relationship between humans, nature
JOY features the paintings, prints, and objects of four Leipzig artists in Leipzig’s Landgericht (District Court) until 30 June 2023.
DIMENSIONS: Digital Art since 1859, on view at Wahren’s Pittlerwerke until 9 July, asks questions that are both timely and
Flamenco Vivo brings duende to Leipzig
Leipzig Glocal writer Jane Whyatt thought she knew flamenco. A recent performance by Flamenco Vivo at the Gewandhaus zu Leipzig changed all that.
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Synthetic voices connect the present and the potential future as Harry Yeff (Reeps100) joins Mario Schröder in Leipzig Ballet's newest
60 minutes is not a long time, but BATS manages to evoke love, playfulness, fear, hate, loneliness, and more.
As Leipzig opened up after its Covid-induced cultural drought, Tanzlabor was working on a cure to lockdown isolation. On the
Solitude ballet by Mario Schröder
This LeipGlo contributor managed to experience the Leipzig Ballet production Solitude just before the second lockdown shuttered all cultural events. Now you have a chance to see it yourself!
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Find out how to navigate Saxony's online vaccination platform and get an appointment as soon as possible with this English
Zuzana Kabešová came to Leipzig as an international student hoping to expand her horizons. Instead, she has to contend with
A shot of Späti-inspired nostalgia and poetry for our readers sharing in the woes and boredom of lockdown life (among
60 minutes is not a long time, but BATS manages to evoke love, playfulness, fear, hate, loneliness, and more.
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Although living in Leipzig for some time now, I’d never really explored the meaning behind the tram stop telling me
Leipzig’s Westflügel is marking its twentieth anniversary on 26 August with a public street party. And the puppet theatre is
The future for Planet Earth may just look a little brighter thanks to an initiative hosted by English Theatre Leipzig
Fresh, diverse, current, and relevant. This describes the 32-year-young euro-scene Leipzig dance and theatre festival. Audiences turned out en masse, with 18 sold-out shows and more than 6650 visitors, many of whom were Gen Z’ers. Given the postmillennial themes addressed, this should come as no surprise. The works I saw not only addressed issues but
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