60 minutes is not a long time, but BATS manages to evoke love, playfulness, fear, hate, loneliness, and more.
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Fresh, diverse, current, and relevant. This describes the 32-year-young euro-scene Leipzig dance and theatre festival. Audiences turned out en masse, with 18 sold-out shows and more than 6650 visitors, many of whom were Gen Z’ers. Given the postmillennial themes addressed, this should come as no surprise. The works I saw not only addressed issues but
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As Leipzig opened up after its Covid-induced cultural drought, Tanzlabor was working on a cure to lockdown isolation. On the weekend of 4 March, the city of Leipzig introduced its long-anticipated relaxing of restrictions. Admission to events stepped down to the 3G regulation. Requiring visitors to (only!) prove that they are vaccinated, recently recovered, or
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maeshelle west-davies debuts her latest performance piece, not alone 2.0, at Helmut on Friday, 11 March 2022. She is well-known in art and culture circles in Leipzig, where she has lived and worked as an artist, MC and event producer for many years. Raised in the US, maeshelle spent several years living in the UK
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LeipGlo contributor and artist Maeshelle West-Davies shares her experience with Trajal Harrell's dance piece The Köln Concert as well as some insights on the euro-scene festival and its new director Christian Watty.
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Our physical realities are increasingly becoming more disparate from any preconceived idea of what we may have expected out of real life. Not that this is necessarily something to be sad about. As with west-davies’s work, it exists and demands to exist within a multiverse, expanding with each rendition and playback it may take, through
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