Confessions of a voiceover artist-turned-entrepreneur - Leipzig Glocal Publishing
Customise Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorised as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customised advertisements based on the pages you visited previously and to analyse the effectiveness of the ad campaigns.

No cookies to display.

Confessions of a voiceover artist-turned-entrepreneur

/

Ever wonder what goes on behind the narrating or character voices you hear on the TV, radio, in the movies? What goes through their mind? Here’s a chance to find out, from Leipzig-based Brit Peter Seaton-Clark, who built a career as a voiceover artist and now owns a successful company here employing other voiceover artists. 

———————————————————

Peter1
Peter Seaton-Clark

I remember the first time I stood behind a microphone to do my first voiceover. I wasn’t nervous. How hard could it be? It was in a language that I’d spoken for longer than I could remember. Reading a text was simple, my reading age was always higher than my actual age and there was no maths involved (of which the less said about my ability, the better). This is going to be easy I thought.

It was on the fifth attempt at the first sentence that the first beads of sweat started to form. It wasn’t so easy. At all. Try as I might I just couldn’t give the director what he wanted. In desperation I delivered the opening line in such an exaggerated way that I felt sure he would sack me.

“Perfect” he said. “Finally”.

The weird thing about voicing an advert is that at the point you think you sound ridiculous, you are actually about right. What you hear in your head sounds so over the top, but when dropped into the mix of images and music, it just fits. Voice artists live in a world of make believe and yet must believe in it with absolute honesty. When I voice an image film for a company that makes vacuum cleaners, I have to believe in that product, because if I don’t, who will?

We’re doing a CD at the moment for school kids to accompany their text and workbooks. It’s great fun with lots of funny voices and some hugely talented kids and it’s a lovely feeling seeing them develop their voice skills and knowing that this is not just a commercial project, but something that will help thousands of kids learn English at school. That’s the kind of project that makes me happy and gives me the most satisfaction. It’s not being the voice of Bugatti or Mercedes, it’s being a shy little dragon in a textbook for kids.

It becomes very simple when something comes along that I just can’t get behind. It’s happened. I’ve turned down jobs for weapons manufacturers and tobacco companies. Quite a nice payday and I used to love a cigarette. But when all is said and done I have to look my children in the eyes and teach them to do the right thing. It’s just not about the money. My work is based in a land of make believe, and that’s alright with me.

By Peter Seaton-Clark

Peter runs Offstimme, a voice over agency in Leipzig which now has over 350 voice artists from over 50 different countries. His clients are local and global. Broadcasters such as MDR, BBC and ZDF; multinationals Bosch, Siemens, BMW; Federal States like Saxony, Saxon-Anhalt and Bavaria have all used voices from Offstimme.

Default thumbnail
Previous Story

March 7: Classical, Culture, Leipzig

Default thumbnail
Next Story

#Haiku of the day (March 12)

Latest from Arts