“I was blessed with two very good jobs, which paid my rent and gave me a decent life again. [But] realizing that this was what my life was going to be, I totally freaked out and started thinking what I could do that could be even more creative than making music.”
With classical musicians held to such strict rules and standards today, we may want to choose to simply sit back, relax and not pick apart minute details of their concerts – since, according to our reviewer, they’ll almost certainly be good anyway.
Opera on Tap, a non-profit run by aspiring artists, has come to Leipzig to drag opera out of the house for a night on the town. The next show is 23 May at Beyerhaus.
Though unimpressed with its Regietheater component, our classical music reviewer was largely impressed with the singing and recommends the opera as a good, accessible introduction to Wagner. Last performance of the season: 27 May at Oper Leipzig.
The beauty of the project is that it can be actively enjoyed, with not only the sight and intellectual senses being awakened, but with the possibility of hearing music samples at each location, or imagining the songbird in a Leipzig park which inspired one of Mahlerâs melodies.
Malandain’s choreography is grounded in elegant tradition while completely in touch with today. See it 12 May.