Artist, curator and writer: maeshelle west-davies gleans her varied life experiences to expose a personal perspective through a multitude of mediums.
Fresh, diverse, current, and relevant. This describes the 32-year-young euro-scene Leipzig dance and theatre festival. Audiences turned out en masse, with 18 sold-out shows and more than 6650 visitors, many of whom were Gen Z’ers. Given the postmillennial themes addressed, this should come as no surprise. The works I saw not only addressed issues but
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On Thursday I was really busy, as usual. I knew A Concert for the Whole World would be broadcast live from Ukraine at 5 PM. On top of that, I knew I could watch it later. I debated. This could be heavy. Musicians of the Chernivtsi Regional Philharmonic were playing a concert from a bomb
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60 minutes is not a long time, but BATS manages to evoke love, playfulness, fear, hate, loneliness, and more. It truly is like going to a movie. Not one word is spoken. Yet, plenty is communicated about how we interact with and affect others through choreography, visuals, and music. This is tap, Sebastian Weber style.
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Art is not instantaneous, nor are openings. It took a little while after restrictions lifted, but now there are vernissages all over town, pretty much every weekend. Excited people arrive early and find lines out the door, some are turned away due to capacity restrictions. Wait, did I say art exhibitions or clubs? Now is
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HIM: “Can you help me?” HER: “I can try.” HIM: “Where’s (mumble)Street?” HER: “I’m sorry. I don’t know.” HIM: “Do you have a boyfriend?” HER: “That’s not really relevant.” HIM: “Do you want to go for a drink?” HER: “No, thank you.” HIM: “Are you a prostitute?” HER: “No.” HIM: “Do you need money?” HER:
MoreLeipGlo contributor and artist Maeshelle West-Davies shares her experience with Trajal Harrell's dance piece The Köln Concert as well as some insights on the euro-scene festival and its new director Christian Watty.
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