Via wit, history and video, our music columnist explores groundbreaking – and very cool – contributions to the fabric of classical music (and contemporary rock too) by Johann Sebastian Bach, timeless Leipzig celebrity, as Bach Festival approaches.
Possible romantic inspiration – and cringe-worthy picks.
I have a confession to make and it feels much easier to do so now, in the aftermath of the WGT with its broad acceptance of the most fantastic quirks. My latest musical obsession is a Schlager singer. Please don’t get me wrong, I don’t believe in dismissing entire genres of music, but since my late teens I was raised on strict diet of guitar-based Indie rock with the occasional pop classic strewn in. Ever since I had a clear-cut idea of what is cool and Schlager clearly wasn’t. In the case of Dagobert, however, there’s no way of denying it. There are catchy tunes, there are the sha-la-la choruses and German lyrics which were on my lips in a matter of a heartbeat.
Included in this post is a very concise and highly personal list of definitive landmark albums of the Wave Gothic sound (with accompanying YouTube videos).
Yasmine Hamdan is a woman that gave blood to many a vampire-enthusiast’s heart with her cameo appearance in Jim Jarmusch’s Only Lovers Left Alive. She’s quite an impressive woman, that Yasmine. It’s the self-assured (and very gorgeous) appearance in Jarmusch’s ode to darkness that lets her take center stage just when she starts to sing. Listen to the somber tones of a deep and well-controlled baritone, radiating the desire of a brooding volcano to erupt. Match it with a very feminine appearance in black western clothes to evoke quite an intriguing and beguiling picture.
If you want to be ahead of the crowd, you can go and check out Die DAMÄN before they become the next big thing. Because they could. Their sound, with Slavic, classical, Burlesque and rock influences, could very well catch on in artistically open-minded Leipzig.