Stage - Page 5

Opera, ballet, dance, classical music, theater etc.

maeshelle west-davies: not alone 2.0

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maeshelle west-davies debuts her latest performance piece, not alone 2.0, at Helmut on Friday, 11 March 2022. She is well-known in art and culture circles in Leipzig, where she has lived and worked as an artist, MC and event producer for many years. Raised in the US, maeshelle spent several years living in the UK

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ETL: Gruesome Playground Injuries

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Love hurts, and for some people, that’s the point. Trying to write a one-line introduction to this play has me stumped. “A skeletal outline of common events wrapped up in an uncommon friendship.” That is the closest I could get to describing ETL‘s production of Gruesome Playground Injuries, by Rajiv Joseph. It opened on 3

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Michiko Saiki’s Voices of Women: on Acceptance and Affirmation

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How to bore an audience: provide one-dimensional characters. So many of us are pigeon-holed and stereotyped. In her multimedia performance, Voices of Women (Stimmen der Frauen), Michiko Saiki examines the multiplicity that is woman. We are not just baby-making machines. We are living, breathing creatures with unique stories to tell. Look into our eyes. Read

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Stimmen der Frauen

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Stimmen der Frauen (Voices of Women) is the latest project of renowned pianist and multimedia artist, Dr. Michiko Saiki. Dr. Saiki holds a DMA in contemporary music from Bowling Green University in Ohio. She has worked with artists, composers, and musicians from around the world. Amongst others, these include Arthur Kampela, Stuart Saunders Smith, Eiko

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Glitch AG Looks at why Women Protest

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HIM: “Can you help me?” HER: “I can try.” HIM: “Where’s (mumble)Street?” HER: “I’m sorry. I don’t know.” HIM: “Do you have a boyfriend?” HER: “That’s not really relevant.” HIM: “Do you want to go for a drink?” HER: “No, thank you.” HIM: “Are you a prostitute?” HER: “No.” HIM: “Do you need money?” HER:

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Trajal Harrell strength through vulnerability: euro-scene 2021

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LeipGlo contributor and artist Maeshelle West-Davies shares her experience with Trajal Harrell's dance piece The Köln Concert as well as some insights on the euro-scene festival and its new director Christian Watty.

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